The small changes and their consequences

Tonight I want to talk about wishes and opportunities. I am sure that all of us – no matter what the field discussed – have experienced different expectations from what’s possible. That happens a lot in marketing.

No disrespect to the person whose wishes I am about to discuss as he is a specialist in his work, but I just wanted to share a fresh experience with you. Perhaps it will sound familiar. Perhaps it will help understand better how marketing materials are made.

I was given a task to update all marketing materials of a specific product as its specification changed. I was only told to remove the “feature” from everywhere. No-one mentioned what is the “consequence” of it, but since all material covered both, I had to first clarify both parts and then remove them. In simpler words, if you are out of specific door knobs, there is probably one of more cupboards that can’t be produced as they were anymore. But which ones? Perhaps not the best example, but this is what happened to me in different context.

It was simple to remove some claims from digital channels. Ok, videos will require remaking later, but print materials are a whole other story.

I was to update a small brochure. And, as often happens when some change work is in progress, more change requests came. I was asked to add two images and a Powerpoint file was given to me as a source of images. Now I was facing two problems: I had image files of bad quality and had to make room for the new images.

I tried searching for the same images in better resolution – for print usually 300dpi is required and that can be checked in image properties. The originals were only a couple hundred kilobytes big so even without checking I was quite sure, they won’t do. I usually ask my colleagues responsible for providing me with input to send me at least 1MB files as then they won’t even have to dig into image specifics to see the size of it. And even if I would like them to, for different reasons, they don’t.

At the end, I found a bit bigger image versions, but still not as good as I would have liked. Sometimes we just have to live with it and risk having a bit pixelated images on paper.

The other problem was space. After I asked if I can remove anything else from the brochure, I was told that I can remove something from page 5. The new images however had to be placed on page 2. And that might be ok if I was working on a Word document and didn’t care what page exactly something landed on. But I was working on a brochure where every page was covering its own subtopic. Big problem, but could have been even worse if there was anything running over two side by side pages (imagine a newspaper article with a big image over two pages). This is something to keep in mind when planning for changes.

To do what I was asked, I would have had to probably change not only pages 2 and five, but also pages 3 and 4 and maybe also the ones after 5 until layout looked ok again. And even so, it might not have looked so nice anymore as moving some other things around would have broken the layout. Subsections would have poured over to several pages and instead of saving space we might have faced even more ugly empty space. Why? Because, for example, if there was 4x20cm space left at the bottom of a page and the first item of the following page was an image of 10x20cm, then it would not have fitted. And with shrinking the image or leaving it, we would still have had problems.

In the end, I got lucky. I completely rebuilt the structure of page 2 and managed to make enough space for the extra images. It wasn’t as nice as it was before and the logic was a bit worse, but it was still the best option.

These things happen with in-house marketeers as well as with agencies and perhaps it helps some of you understand better why a “small image change” can take so long or cost so much.

Can’t be a genius at everything, right?

Perhaps a bit bold move to start already with showing off my weaknesses, but I’m thinking that we all have some just like we all have our strengths. No matter how idealistic many job ads seem. One person cannot be great at everything. Repeating once again for the text scanners: one person cannot be good at everything.

I’m a pretty visual person and I get easily bothered by badly designed marketing material as well as anything else where functionality is hidden under a lot of user unfriendliness or unpleasing looks which is why I don’t like Excel so much, but that’s another story.

Today I wanted to talk about me and design programs. Especially Photoshop. I’ve become quite good friends with InDesign, because life forced me, but Photoshop and I still mostly keep a safe distance from each other. Sometimes, however, that’s not possible in the various work of a marketeer. No budget nor designers available or an idea that seems so simple that I am embarrassed to outsource it are the main reasons, why sometimes I still try to chew myself through the ways of working with that ever-so-common and loved design program. Trust me, I’d rather do anything text related elsewhere.

If there are more of you like me out there, then I’ll gladly show you, what kind of a “simple task” must have taken up at least a half hour of my workday today.

I was making web banners. Very. Basic. Banners.

Our webpage banners even come with an old Photoshop template of sorts. All I needed to do was change the text and images and prepare two separate banners with different opacity to create a nice effect when a website visitor  hovers over them. That’s how our system works. Two separate .png files alternating. I won’t go here into a discussion about the the sensibility of our system, but bigger experts are welcome to share their ideas and experiences in the comments section. Would be interesting for me as well.

Back to the Photoshop work. It took me a while to discover where I can find layers in my recently upgraded version. They weren’t just openly on the right meny. They were there though. A lot of clicking on the “eyes” later as the template file had many alternative layers, I managed to find my old clear text and vague text, the same with photo versions. It has been a few years since I worked on those banners last, so I only had a faint memory that one layer or maximum two (for text and image) should be enough.  After all, I was able to use the same layers and just change the opacity to create both – the vague and clear files I needed. All it took was a few needed clicks and all the prior extra clicks to find the right layers. As I said, not my strong suit. Perhaps writing it down here will help me remember it for the future.

Then I found myself with another issue – one, that seemed even sillier than opacity. I could not figure out, how I can move the text a bit. Choosing left, right and central lining just pushed the text out of my little banner all together. So I Googled. Yes, it came down to that. I guess I will always wonder why sister programs InDesign and Photoshop behave so differently, but the latter seems to have a Move button. No, not the mouse icon. Another one with a cross and arrows at each end. After discovering that, it seemed like a child’s play. The program even helped me center align automatically.

As it comes so hard to me, I really respect all the actual designers who have chewed themselves through the secrets of Photoshop and really do create such things within seconds. I did too with the latest versions, but those were just very multi-clicked copy improvements.

Anybody else here who feels like sharing their weaknesses publicly?